Here is a pair of funny little Geloso dynamic microphones, one is in pieces already.
Geloso M88 dynamic mics
The build quality is nice – better than the early Geloso mics which tend to crumble. It has an internal two-bobbin humbucking transformer, to give an output impedance of 250 ohms.
Internal transformer for impedance matching duties
The diaphragm is made from a light plastic for fast response, and they sound nice, if a little light on bass.
Geloso M88 diaphragm in good shape
They use an annoyingly unobtainable 4 pin connector – I feel an XLR mod coming on…
The original unobtanium connector can be converted to XLR
Today we took delivery of some interesting microphones from Italy. Here they are with some other resident Italians.
Geloso double ribbon, Framez, Do-Re-Mi 351MN, CM, Magneti Marelli MC46, Riem and Meazzi
From left to right we have ribbon mics by Geloso,
Framez, Do-Re-Mi, CM, Magneti Marelli, Riem and Meazzi. On closer inspection it seems as though some of the different brands came from the same factories.
The motor of the Do-Re-Mi mic is the same as the Framez, and the Riem is a skinny version of the Meazzi.
We also know from previous research that Framez and Meazzi were related companies. Magneti Marelli made 74B copies under license from RCA.
We know less about the RCA-shaped CM microphone. In fact nothing at all about it, other than it is a fairly standard design, made for public address use.
It seems as though there was once a a thriving ribbon mic industry in Italy, with numerous brands and models, but I don’t know of any modern Italian ribbon mics.
Update: I found this ad for the Riem ribbon microphone, from the magazine Selezione Radio, Feb 1952.